The Ancient World

Earrings, 330-300 BCE, 	  				  			 					 			 			 Ancient Greece
The Hermitage Museum

Earrings, 330-300 BCE, Ancient Greece

The Hermitage Museum

Sarcophagus with the story of Achilles and Polyxena, Roman, Ca. 250
Museo Nacional del Prado, On View in Room 72
“The story, which is highly appropriate because of its tragic character,  is divided into various scenes. the front shows the armistice celebrated  between Aqueans and Trojans to celebrate the marriage of Achilles to  the Trojan princess, Polyxena. Agamemnon can be clearly seen in the  center, between Ulysses and Paris (the latter’s head is restored). The  right side shows how the treaty was broken when Achilles dies after  being wounded in the heel by Paris.Finally, the left side shows  Polyxena marching to her own sacrifice in honor of the dead hero,  accompanied by various Aqueans including Achilles’ son, Neoptoloemus.  The front of the sarcophagus is missing, except for a few fragments in  the Louvre. It represented a combat between Aqueans and Trojans.”

Sarcophagus with the story of Achilles and Polyxena, Roman, Ca. 250

Museo Nacional del Prado, On View in Room 72

“The story, which is highly appropriate because of its tragic character, is divided into various scenes. the front shows the armistice celebrated between Aqueans and Trojans to celebrate the marriage of Achilles to the Trojan princess, Polyxena. Agamemnon can be clearly seen in the center, between Ulysses and Paris (the latter’s head is restored). The right side shows how the treaty was broken when Achilles dies after being wounded in the heel by Paris.

Finally, the left side shows Polyxena marching to her own sacrifice in honor of the dead hero, accompanied by various Aqueans including Achilles’ son, Neoptoloemus. The front of the sarcophagus is missing, except for a few fragments in the Louvre. It represented a combat between Aqueans and Trojans.”

Bust of Antoninus Pius, Roman, Ca. 140-150 CE
Museo Nacional del Prado, On View in Room 27

Bust of Antoninus Pius, Roman, Ca. 140-150 CE

Museo Nacional del Prado, On View in Room 27

Bust of Emperor Augustus, Roman, Ca. 27 BCE
Museo Nacional del Prado, On View in Room 71

Bust of Emperor Augustus, Roman, Ca. 27 BCE

Museo Nacional del Prado, On View in Room 71

Relief of a bacchante, Roman copy of a Greek original, Ca. 120-140 CE
Museo Nacional del Prado, On View in Room 72

Relief of a bacchante, Roman copy of a Greek original, Ca. 120-140 CE

Museo Nacional del Prado, On View in Room 72

Augustus wearing a toga, Roman, C. 18 CE
Museo Nacional del Prado, On View in Room 71

Augustus wearing a toga, Roman, C. 18 CE

Museo Nacional del Prado, On View in Room 71


The Empress Sabina, Roman, C. 130 CE
Museo Nacional del Prado, On View in Room 71
“Vibia Sabina (83-136 A.D.), a relative of Trajan, was married very young  to the future emperor, Hadrian. This portrait, made towards the end of  her life, around 130, denotes the intention to create an intemporal  image, free of the passage of time.”

The Empress Sabina, Roman, C. 130 CE

Museo Nacional del Prado, On View in Room 71

“Vibia Sabina (83-136 A.D.), a relative of Trajan, was married very young to the future emperor, Hadrian. This portrait, made towards the end of her life, around 130, denotes the intention to create an intemporal image, free of the passage of time.”

Ornament in the form of a griffin-lion
Achaemenid Persian, 5th-4th century BC From the region of Takht-i Kuwad, Tadjikistan
This embossed ornament is part of the Oxus treasure, the most important collection of silver and gold to have survived from the Achaemenid period. The treasure is from a temple and dates mainly from the fifth and fourth centuries BC.
The British Museum

Ornament in the form of a griffin-lion

Achaemenid Persian, 5th-4th century BC
From the region of Takht-i Kuwad, Tadjikistan

This embossed ornament is part of the Oxus treasure, the most important collection of silver and gold to have survived from the Achaemenid period. The treasure is from a temple and dates mainly from the fifth and fourth centuries BC.

The British Museum

Discus thrower
Roman copy of a bronze original of the 5th century BC From Hadrian’s Villa in Tivoli, Lazio, Italy
The British Museum

Discus thrower

Roman copy of a bronze original of the 5th century BC
From Hadrian’s Villa in Tivoli, Lazio, Italy

The British Museum

Gold Necklace
Late Bronze Age, about 14th-13th century BC Possibly from western modern Turkey
The British Museum, Located in Room 54: Ancient Turkey

Gold Necklace

Late Bronze Age, about 14th-13th century BC
Possibly from western modern Turkey

The British Museum, Located in Room 54: Ancient Turkey